Perhaps readers will not be too familiar with enigmatic classical composer Charles Tomlinson Griffes (1884-1920). This comes as no surprise, because though Griffes was a brilliant Impressionist composer with a unique musical language, he composed only a handful of pieces during his short life. He could count among his influences French Impressionism, contemporary European music with its bitonality and tonal ambiguity, and Asian music, a compositional influence that was relatively new at the time. His music is therefore a dynamic and distinct blend of these influences […]

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