Article first published as Concert Review: Pianist Junghwa Lee at the Ashburnham Community Church, 10/2/11, with the Frederick Piano Collection on Blogcritics.
On October 2, 2011, the Frederick Historical Piano Collection hosted a concert at the Ashburnham Community Church. Concert pianist Junghwa Lee, who is currently an active soloist and associate professor of piano at the Southern Illinois University, beautifully performed from memory a program of Fauré, Ravel, and Liszt. Native Korean Lee, has upcoming concerts in Missouri, Illinois, London, Paris, and Amsterdam, and has been described by various sources as a pianist of “acute intelligence,” with “flawless technique” and “masterful artistic control.” Lee is also an old friend – she and I actually went to school together at Eastman School of Music. This was her first appearance in the concert series, and it was a superb one as Lee skillfully blended historical authenticity on the centuries old piano she performed on along with dynamic interpretations.
The Frederick’s Historical Piano Collection, which supports this concert series, is a gem for classical music aficionados and the general public alike. Maintained by Patricia and Edmund Michael Frederick, this Center is a wealth of resources, mainly concentrated in their wonderful collection of over twenty early grand pianos. A main feature is their Historical Piano Concerts, a concert series featuring internationally renowned pianists performing works on selected pianos of the collection. The pianos are determined by program choice: if the pianist chooses to focus on Chopin, then the piano of choice is the 1840 Erard. If the pianist chooses to focus on piano literature by Mendelssohn, then the Tröndlin (c. 1839) might be a good choice. Performers like Junghwa Lee painstakingly research and practice, adjusting their own techniques to accommodate the often more delicate touches of these pianos. One cannot simply pound away on these pianos, sturdy as they are. Sometimes a more subtle technique is required.
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